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"STAR
STRUCK"
by Glenn T. Litwak
(This article
was published in the "Dicta" section of the "Los
Angeles Daily Journal" on November 11, 1999)
Lawyers often
try to break into the entertainment law filed to no avail. Although
those jobs can be difficult to obtain, the following strategies
can help lawyers attain that dream entertainment job.
* Become
knowledgeable. If you want to practice entertainment
law, you need to understand the applicable legal principles, entertainment
terminology and industry workings. Potential entertainment clients
expect entertainment lawyers to know what is going on in the industry
and to understand its unique language. Entertainment industry
trade publications such as "Variety" are a good source
of this information, and local bookstores have entire sections
devoted to the film industry.
In addition,
you can attend seminars to acquire knowledge about entertainment
law. Some universities offer annual entertainment law institutes
or extension courses on music, film, television and multimedia.
Seminars are an opportunity to network with aspiring or established
entertainment lawyers.
*
Join organizations. Becoming active in organizations
allows you to socialize with people and attorneys in the entertainment
industry. Look for bar associations that have intellectual property
or entertainment law sections and committees. Or join an organization
such as Independent Feature Project/West, a group of independent
filmmakers.
*
Transfer skills. Practicing in an area that shares similarities
with entertainment law helps. Going from being a plaintiff's personal
injury lawyer on Monday to being a practicing entertainment lawyer
on Tuesday would be difficult. However, gradually changing from
being a business litigator to an entertainment litigator to an
entertainment transactional lawyer is easier.
*
Sacrifice. If you really want to break into entertainment
law, you must be willing to take lower fees at first to obtain
entertainment-related work. You should also be prepared to do
some pro bono work to gain experience and contacts and some work
on a contingency basis.
*
Start networking. Very often, landing that entertainment
job is a matter of knowing the right people. Although many large
entertainment companies seek top graduates from the elite law
schools, many lawyers get there because of who they know. I recently
spoke to a young insurance defense lawyer who had no entertainment
law experience. A major entertainment merchandising company hired
him through an interview arranged by his sister, who knew someone
at the company.
Networking
is critical. Los Angeles is a "company" town. You must
either know people in the entertainment business or know people
who know people in the entertainment industry. Get the word out
that you are interested in doing entertainment law. Once you get
your first entertainment law clients, they may refer other people
in the industry to you.
Some of your
best resources may be other attorneys. I met an entertainment attorney
at a party hosted by a producer, and we became friends and worked
on some entertainment litigation together. Find entertainment
attorneys who refer overflow work or need someone to associate
on a case.
Networking
is not restricted to formal events such as seminars. Networking
may occur at your child's soccer game. Perhaps the parents of
one of the other children are in the entertainment business. If
you go to a party or social engagement, chances are good that
someone at the party is involved in the entertainment business.
Strike up a conversation. Let people know what you do and what
you want to do.
Try to attend
entertainment events as part of your networking. For instance,
if you are interested in representing people in the independent
film business, attend film festivals (like the Sundance Film Festival),
go to independent film screenings and attend parties and events
where entertainment industry types congregate. Publicize whatever
success you have by press release, newsletter or some other method.
But perhaps
the best advice for building any kind of practice is to do good
work and provide sound advice.
Litwak
©
GLENN T. LITWAK, 1999 ALL RIGHTS RESERVED
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